[Placeholder for "Stillanimation" project]
Examples and comparison of a cyclic motion illusion. This is directly related to the "Four stroke apparent motion" illusion.
A comparison of several parameters variations of a simple motion illusion:
The prototype animation: 25 px. diameter circles, 76 x 76 px. frame, 2 px. maximum shift, 1/3 seconds/cycle (3 Hz., 8 frames at ~24 frames/s)
![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() |
![]() | ![]() | ![]() | ![]() |
| P0-gray (.vol.gz) | PCW-gray (.vol.gz) | PCCW-gray (.vol.gz) | PA-gray (.vol.gz) |
![]() | ![]() | ![]() | ![]() |
| P0-linear (.vol.gz) | PCW-linear (.vol.gz) | PCCW-linear (.vol.gz) | PA-linear (.vol.gz) |
![]() | <--90 degree phase offset | ||||
![]() | ![]() | <--45 degree phase offset | |||
![]() | ![]() | ![]() | <--30 degree phase offset | ||
![]() | ![]() | ![]() | ![]() | ![]() | ![]() |
| P0-3_frame (.vol.gz) | P0-4_frame (.vol.gz) | P0-6_frame (.vol.gz) | P0-9_frame (.vol.gz) | P0-12_frame (.vol.gz) | P0-15_frame (.vol.gz) |
![]() | ![]() | ![]() | ![]() | ![]() | ![]() |
| P0-24_frame (.vol.gz) | P0-36_frame (.vol.gz) | P0-40_frame (.vol.gz) | P0-45_frame (.vol.gz) | P0-60_frame (.vol.gz) | P0-90_frame (.vol.gz) |
![]() | ![]() | ![]() | ![]() |
![]() | ![]() | ![]() | ![]() |
![]() | ![]() | ![]() | ![]() |
![]() | ![]() | ![]() | ![]() |

![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() |
![]() | ![]() | ![]() | ![]() |
| P0-gray (.vol.gz) | PCW-gray (.vol.gz) | PCCW-gray (.vol.gz) | PA-gray (.vol.gz) |
![]() | ![]() | ![]() | ![]() |
| P0-linear (.vol.gz) | PCW-linear (.vol.gz) | PCCW-linear (.vol.gz) | PA-linear (.vol.gz) |
![]() | <--90 degree phase offset | ||||
![]() | ![]() | <--45 degree phase offset | |||
![]() | ![]() | ![]() | <--30 degree phase offset | ||
![]() | ![]() | ![]() | ![]() | ![]() | ![]() |
| P0-3_frame (.vol.gz) | P0-4_frame (.vol.gz) | P0-6_frame (.vol.gz) | P0-9_frame (.vol.gz) | P0-12_frame (.vol.gz) | P0-15_frame (.vol.gz) |
![]() | ![]() | ![]() | ![]() | ![]() | ![]() |
| P0-24_frame (.vol.gz) | P0-36_frame (.vol.gz) | P0-40_frame (.vol.gz) | P0-45_frame (.vol.gz) | P0-60_frame (.vol.gz) | P0-90_frame (.vol.gz) |
![]() | ![]() | ![]() | ![]() |
![]() | ![]() | ![]() | ![]() |
![]() | ![]() | ![]() | ![]() |
![]() | ![]() | ![]() | ![]() |
| P0-linear (.vol.gz) | PCW-linear (.vol.gz) | PCCW-linear (.vol.gz) | PA-linear (.vol.gz) |
[To Do:
Plot a parameterized 1-D profile at several phases:
Write MATLAB programs
that generates a phased cyclic sequence of edge contrast vectors.EC_radial.m
-> edge_contrast_1D_animation.m
-> edge_contrast_1D.m
Test assembling an edge with variable width (and/or phase), angular frequency.
Build the edge necessary for the pinwheel tesselation:
2008-11-12
While writing the one-dimensional code (for a pinwheel "wedge" edge, EC_radial.m), this high symmetry "cone" structure came up. Do it exactly right, square tiling with no gap, smooth square-profile "teeth" and best continuity. Animated tiling.
2008-11-15
Got them roughly alligned, mostly by trial and minimizing error. The geometry of the angles is opaque to me. I'll add the mirror in background, with some artificial fade with depth.
A puzzle: The figure below is an arrangement of eight triangles, using three different triangular motifs (say a, b and c) along with a pi/2 rotation of each of the three (say -a, -b and -c). What is the spatial arrangement of the six?
See Mixed symmetries for details and code.
![]()
-c
-b c -b
a -a a
b
The example frames and volumes for the Directional edge contrast motion illusion comparison were generated by the following MATLAB programs. The GIF animations were assembled from the serial frames using Jasc Software's Animation Shop. Parameter variations are made by both the program arguments and hardcoded items (see header comments for details).
Space Software was used to review the animations (utilizing the optional Matlab program output in volume format [.vol] ) and to generate serially numbered 2-D frames (File | Save As Serial Images)
Visual dissociations of movement, position, and stereo depth: Some phenomenal phenomena
Quarterly Journal of Experimental Psychology (1983) 35A, 217-237
Brain and Perception Laboratory, University of Bristol, Department of Anatomy, The Medical School, University Walk, Bristol BS8 1TD, England
When narrow bordering stripes are added, further systematic phenomena occur. With intensity modulation of an edge-striped grey rectangle, which has a dark stripe on the left side and a light stripe on the right, the entire figure shifts, with reversed motion when the background luminance is modulated. By presenting a pair of such figures, mirror reversed one to each eye and fused stereoscopically, the question may be asked: Do these illusory shifts produce stereo depth? The answer is surprising: stereo is produced - but at the cross-over with luminance of the central grey rectangle with the background the depth change is opposite to that given by normal, non-illusory, opposed lateral shifts. We interpret this anomalous stereo depth as a switch of which edges of the stripes are fused, with the change of relative contrast of the edges of the dark and light stripes as the figure-background contrast is changed.
Measures of static shift, lateral movement, and stereo depth, give somewhat different functions. These are considered in terms of different signalled positions, stereo depth, and movement. This study brings out the importance, for explaining such perceptual anomalies, of distinguishing between neural signal channel characteristics and which stimulus features from the display are selected and accepted for perception. Although conceptually clearly distinct these are all too easily confused in psycho-physical experiments."
Second-order processing of four-stroke apparent motion
Mather G, Murdoch L
School of Biology, University of Sussex, UK. georgem@biols.susx.ac.uk
Vision Res. 1999 May;39(10):1795-802
"In four-stroke apparent motion displays, pattern elements oscillate between two adjacent positions and synchronously reverse in contrast, but appear to move unidirectionally. For example, if rightward shifts preserve contrast but leftward shifts reverse contrast, consistent rightward motion is seen. In conventional first-order displays, elements reverse in luminance contrast (e.g. light elements become dark, and vice-versa). The resulting perception can be explained by responses in elementary motion detectors turned to spatio-temporal orientation. Second-order motion displays contain texture-defined elements, and there is some evidence that they excite second-order motion detectors that extract spatio-temporal orientation following the application of a non-linear 'texture-grabbing' transform by the visual system. We generated a variety of second-order four-stroke displays, containing texture-contrast reversals instead of luminance contrast reversals, and used their effectiveness as a diagnostic test for the presence of various forms of non-linear transform in the second-order motion system. Displays containing only forward or only reversed phi motion sequences were also tested. Displays defined by variation in luminance, contrast, orientation, and size were effective. Displays defined by variation in motion, dynamism, and stereo were partially or wholly ineffective. Results obtained with contrast-reversing and four-stroke displays indicate that only relatively simple non-linear transforms (involving spatial filtering and rectification) are available during second-order energy-based motion analysis."
-----------------------------------
There are no restrictions on use of the images on this page, except those made by anyone other than Mark Dow. Claiming to be the originator of the material, explicitly or implicitly, is bad karma. A link (if appropriate), a note to dow[at]uoregon.edu, and credit are appreciated but not required.
Comments are welcome (dow[at]uoregon.edu).
Loading image
Click anywhere to cancel
Image unavailable
Comments
Post new comment